Antoine Wilson • October 1, 2013
This article originally appeared on August 18, 2011. In which our favorite writers share precious little bits that didn’t quite fit.
I'm probably not the only writer in the world who, prior to killing his darlings, tortures them. For months, they bounce in and out of a CUTS folder, which works like a self-storage unit, holding things until I can admit they belong in the trash. And not because they are trash, intrinsically, but because the project simply refuses to contain them.
Leslie Jamison • October 1, 2013
This article originally appeared on June 28, 2011.
During my second year at the Iowa Writers’ Workshop, I lived at 715 Iowa Avenue, Iowa City, Iowa. In case my friends on the coasts didn’t get it, my address had to say it three times: I’m in the middle.
Fiona Maazel • October 1, 2013
This article originally appeared on January 28, 2011.
Welcome, people, to the work of Dorthe Nors. I met Dorthe last summer on a residency in Denmark. I’d been told the Danes are the happiest people on earth—they rank highest in the World Database of Happiness [ed: actually, a close second; Costa Rica takes the happiness prize]—and that Danish writers, in particular, are not afflicted with the same malaise, gloom, and despair that seem to beset their peers worldwide. Imagine my delight, then, to find in Dorthe an utterly morbid (and thus entirely winning) sense of humor, and in her bearing the same deadpan intelligence and compassion that motors her work.
Francis Spufford • October 1, 2013
This article originally appeared on February 1, 2012.
"This is not a novel. It has too much to explain, to be one of those. But it is not a history either, for it does its explaining in the form of a story; only the story is the story of an idea, first of all, and only afterwards, glimpsed through the chinks of the idea’s fate, the story of the people involved."
October 1, 2013
This article originally appeared on April 29, 2010.
It’s probably safe to say that you’re the only songwriter I’ve ever come across who’s thrown in a quote from Marilyn Hacker. I’m curious what your relationship is to contemporary poetry or writing in general.
Tom Drury • October 1, 2013
This article originally appeared on April 5, 2010.
Right now I'm reading Quincas Borba by Machado de Assis (1839-1908) and so I'll recommend another of his novels, and one of my favorites, Epitaph of a Small Winner. Originally published in 1880, it seems to me a conversation with an eternal present.
Amy Leach • October 1, 2013
This article originally appeared on April 1, 2010.
Relevant writers have their place, to be sure. But relevance seems to hold a despotic ascendancy these days—everybody wants to be relevant; everybody wants everybody else to be relevant. Relevance is not the only virtue! Irrelevance is also a virtue! The sun is not only a vector of cancer and vitamin D; the sun also makes my Pomeranian twirl. Here is a list of a few of my favorite irrelevant writers:
Tim O’Sullivan • October 1, 2013
This article originally appeared on March 31, 2010.
A taste for topical relevance is cool. There are better places to look than fiction. Newspapers maybe. On TV, pundits speak provocatively on topics of the day. Fiction can handle these topics too, but I suppose people will always argue whether it’s the most appropriate tool and/or for how long the relevant topic will remain relevant.
Mary-Beth Hughes • October 1, 2013
This article originally appeared on March 30, 2010.
Around Halloween, I packed up my mother’s books and brought them home. She was a committed public library patron, so I’d love to know the books she liked enough to buy and keep, what she saved to go back to. But before I unpack boxes, I’m looking to my own shelves to remember some of what’s been essential to me.
Ed Roberson • October 1, 2013
This article originally appeared on March 3, 2010.
Hey Ed, I hope you're well. We're finishing up the new issue, and my proofreaders keep querying the space in the fourth stanza of your poem, so I thought better safe than sorry. Attached are your proofs—would you confirm that the space in the line "down from the outer layers inward into—" is supposed to be there? Thanks! Anne