No. 23

G.  R. Swenson protests MOMA with a ? / Pita Amor in neon lights / Fame and Rejection / Saul Bellow’s letters from a safe-deposit box / Looking for Natalie de Blois on Park Avenue / The last years of Black Mountain College / Elena Ferrante and the art of concealment / Merce Cunningham dances / On the life of studios / The architecture of freedom

Art

Untitled

No. 23 Etel Adnan

Fiction

Interiors

No. 23 Kathleen Collins

I’m moody, damn it, and restless… and life has so many tuneless days.
Poetry

The Book of Petitions

No. 23 Vénus Khoury-Ghata

Who will find lost time / who will tie it to the foot of the bed.
Portfolio

Lady Antaeus

No. 23 Bette Howland

An out-of-print book discovered in the one dollar cart at a used bookstore leads to the rediscovery of an acclaimed writer, her unpublished work, and a forty year correspondence with Saul Bellow in a safe-deposit box in Tulsa, Oklahoma.
Portfolio

W-3

No. 23 Bette Howland

At last it had dawned on me that these obstacles were my life. I was always rolling these stones from my grave.
Portfolio

A Life in Letters

No. 23 Jacob Howland

Thirty-one, a single mother of two young sons, she labored at her typewriter day and night, worked part time as a librarian and an editor for the University of Chicago Press, and often threw bills directly into the trash.
Portfolio

A Visit

No. 23 Bette Howland

I was wondering what the chances might be of undertaking a crash course in self-improvement here in Eternity. Not so hot.
Portfolio

The American Heroine

No. 23 Bette Howland

Edna is no American Bovary. She is American—period. The American heroine on her quest for experience, in all her problematic American innocence and ignorance.
Portfolio

Ever Your Friend

No. 23 Saul Bellow

One should cook and eat one’s misery. Chain it like a dog. Harness it like Niagara Falls to generate light and supply voltage for electric chairs.
Portfolio

Blue in Chicago

No. 23 Bette Howland

And yet I found myself reacting to her in the same way—noticing all through the meal that she seemed to talk only when her mouth was full and her cheek was bulging like a fist. As if she were chewing a quid of tobacco, and about to squirt. Alarming.
Art

Untitled

No. 23 Ana Hatherly

Cahiers

Time’s Weather

No. 23 Friederike Mayröcker

I let myself be carried by my language as if it were endowed with tiny wings.
Fiction

About Two Women

No. 23 Mark Hage

You listen to the wind's instructions, its steady siege.
Poetry

Three Poems

No. 23 Rosemary Tonks

Sin pricks me like a convict’s suit of arrows / For here my evil, blue, and moody youth / Has found its old lair.
Fiction

Speaking Up

No. 23 Yang Jiang

We have thrown ourselves into the cause, body and soul.
Fiction

The Goldfish

No. 23 Susie Mee

Cannot we create a new world by emptying this one out and adding fresh colors one by one?
Reminiscence

Early On

No. 23 Isobel and Michael Armstrong

It was absolutely revolutionary and liberating, and so full of possible experiment.
Photography

Dancers

No. 23 Hazel Larsen Archer

Portrait

Pita in the Arms of God

No. 23 Elena Poniatowska

I believe in the time of my glands and arteries.
Fiction

The Truck

No. 23 Elisabetta Rasy

The “nothing” I am talking about is a perfectly successful cocktail of darkness and fog.
Impressions

Looking for Natalie

No. 23 Annie Coggan

Fiction

Souvenir Button

No. 23 Rosalyn Drexler

Never in the course of history has a work of art disposed of itself. A strange suicide indeed.
Memoir

Outside Inside

No. 23 Martha King

Baz and I had Fame and Rejection. We lived in a flow of contradiction.
Architecture

MASP

No. 23 Lina Bo Bardi

Essay

She’ll Make Herself Alive

No. 23 Antonio Romani

Concealment, discretion, secrecy: I found myself thinking of Epicurus’s advice, lathe biosas: “live in obscurity.”
Meditations

Night

No. 23 Etel Adnan

I peeled every trace of light off the walls. Withdrew into blurred definitions.
Performance

A Body in a Station

No. 23 Eiko

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