A portrait of Ernst Weiss by his friends, enemies, and critics, including Franz Kafka, Stefan Zweig and the author himself; Yiyun Li on time; Goli Taraghi in Tehran; Robert Sullivan on the invisible ecology of cities; Jorie Graham and Rosanna Warren translate Patrizia Cavalli; fiction by Tom Drury and Sandro Veronesi; poetry by Kimiko Hahn and Robert Fernandez; and introducing J. Scott Smith.
No. 19 • Tom DruryAmy wins a goldfish at the county fair.
No. 19 • Yiyun LiMy first encounter with before and after was in one of the fashion magazines my friends told me to subscribe to when I came to America.
No. 19 • J. Scott SmithSlowly, his vernacular began to change.
No. 19 • Julie KantorI don’t think about things as / deeply as you
No. 19 • Patrizia CavalliSomething that the object never can take in, / an empty bucket that won’t carry me.
No. 19 • Robert FernandezI like the dog; it looks / As if it’s just lying there
No. 19 • Lily BrownI heard the voice of reason / swerve bone-ward as it mouthed / the high hills of Art.
No. 19 • Hilary Vaughn DobelWhen we say we don’t recall or can’t explain, we don’t / mean to be evasive.
No. 19 • Joel RotenbergNot all writers feel fiction is the place to directly take stock of their social surroundings, no matter how out of hand things may be getting.
No. 19 • Kate Browne“In many instances, awareness of place is brief and unselfconscious, a ﬂeeting moment (a ﬂash of recognition, a trace of memory) that is swiftly replaced by awareness of something else.... But now and again, and sometimes without apparent cause, awareness is seized—arrested—and the place on which it settles becomes an object of spontaneous reflection and resonating sentiment.” —Keith Basso
No. 19 • Joseph O’MalleyHannah and Addy were at it again, and as usual James was right in the middle.
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