Online, Zoom • Sundays, February 7–28, 2021
The sentence is an infinitely elastic instrument containing thousands of microdecisions. So which decisions make your sentences become your sentences? This class will examine virtuosic sentences—from Herman Melville to Toni Morrison—exploring what these sentences might have been in the hands of another writer, exposing what makes them unique. We will look at syntax, diction, and sonic elements, as well as attitude and subtext. We’ll read theories of the sentence as well, applying them to our own sentences to push them deeper into singularity, sharing our discoveries and revisions. Part bootcamp, part yoga—all on the page, of course—this workshop will focus on strength and flexibility in the prose line, building confidence in composition and revision. Homework will be light reading and small-scale writing.
Anne Elliott is the author of The Artstars: Stories (Blue Light Books / Indiana University Press) and The Beginning of the End of the Beginning (Ploughshares Solos).\Elliott is a veteran of the New York spoken word circuit, with stage credits including The Whitney Museum, Lincoln Center, and PS122. Her story “Black, Black, Red, Black” appeared in A Public Space No. 28. She lives in Maine.
Sundays, February 7–28, 2021
3:00 p.m.–5:00 p.m. ET
Online on Zoom
If you need to cancel your enrollment in an Academy class, please let us know as soon as possible. We can only offer full refunds if you cancel two weeks prior to the start of class. After that, before the start date of class, we can offer a 50% refund. We cannot refund day-of cancellations, and we cannot refund or partially refund tuition once the class has begun.
If you purchased your class through CourseHorse, then our Refund & Cancellation policy applies to your purchase. If you are entitled to a refund, or have any questions, please visit the CourseHorse site and contact their customer service team.
A Public Space is an independent, non-profit publisher of the award-winning literary and arts magazine; and A Public Space Books. Since 2006, under the direction of founding editor Brigid Hughes the mission of A Public Space has been to seek out and support overlooked and unclassifiable work.
A portrayal of mental illness like none other. More claustrophobic than Girl, Interrupted and more frightening than The Bell Jar, Howland’s memoir maps the world of a 1960s psychiatric ward with an unflinching eye.
—Esmé Weijun Wang
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