Online, Zoom • Sundays, May 23–June 27, 2021
***This class has sold out. If you would like to be added to the waitlist, please email firstname.lastname@example.org***
For some of us, an unblank page is scarier than a blank one. Many writing workshops encourage us to improve a composition through revision, which only characterizes a draft as a mess of problems to be solved. But what if revision were a playful experiment, not a search for solutions? What if our motivation were curiosity, not fear of failure? In this workshop, perfectionism is banned. Results are secondary: what matters is process. Participants will approach a single text with multiple modes of revision to release the hidden story inside the story, sharpen the story’s friction and energy, discover metaphor, and make the language more singular and alive. Light reading and writing homework. Experiments will be shared aloud in class.
Anne Elliott is the author of The Artstars: Stories (Blue Light Books / Indiana University Press) and The Beginning of the End of the Beginning (Ploughshares Solos). Her short work has been featured in Story, Crab Orchard Review, Witness, Hobart, Bellevue Literary Review, and elsewhere. Her story “Black, Black, Red, Black” appeared in A Public Space No. 28. She lives in Maine.
Sundays, May 23–June 27, 2021
3:00 p.m.–5:00 p.m. ET
Online on Zoom
If you need to cancel your enrollment in an Academy class, please let us know as soon as possible. We can only offer full refunds if you cancel two weeks prior to the start of class. After that, before the start date of class, we can offer a 50% refund. We cannot refund day-of cancellations, and we cannot refund or partially refund tuition once the class has begun.
If you purchased your class through CourseHorse, then our Refund & Cancellation policy applies to your purchase. If you are entitled to a refund, or have any questions, please visit the CourseHorse site and contact their customer service team.
A Public Space is an independent, non-profit publisher of the award-winning literary and arts magazine; and A Public Space Books. Since 2006, under the direction of founding editor Brigid Hughes the mission of A Public Space has been to seek out and support overlooked and unclassifiable work.
A portrayal of mental illness like none other. More claustrophobic than Girl, Interrupted and more frightening than The Bell Jar, Howland’s memoir maps the world of a 1960s psychiatric ward with an unflinching eye.
—Esmé Weijun Wang
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