Anne Elliott is the author of The Artstars: Stories (Blue Light Books / Indiana University Press) and The Beginning of the End of the Beginning (Ploughshares Solos). Her short work has been featured in Story, Crab Orchard Review, Witness, Hobart, Bellevue Literary Review, and elsewhere. Her story “Black, Black, Red, Black” appeared in A Public Space No. 28. She lives in Maine.
Workshop
Anne Elliott
Online
Sundays, October 27, 2024
This class has already happened.
Artifacts and Archives
Epistolary storytelling, when done well, can be time travel. Having a letter, journal entry, photograph, or personal artifact in our hands puts readers right into the lives of characters. We also become detectives, piecing everything together and making the story in our minds—becoming active participants in storytelling itself. This generative class will study examples of epistolary fiction and memoir, expanding our definition way beyond the exchange of letters. Using the techniques we observe, we’ll try some experiments ourselves using artifacts both found and made up. Emails, texts, legal documents, marginalia, dictionaries, shopping lists, newspaper clippings, playlists, syllabi, Sylvia Plath’s braid: everything is on the table.
We’ll likely discuss works by Bram Stoker, Sasha Hom, Alice Munro, Torrey Peters, Danielle Geller, Lauren Elkin, Rion Amilcar Scott, Rick Moody, Anne Frank, and Venita Blackburn. Light reading and writing homework. Participants read their work aloud.
Sundays, October 27, 2024-November 17, 2024
3:00 p.m.–5:00 p.m. ET
4 sessions
Online on Zoom
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