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The Sun’s Point of View

ISBN: 9798998556333
Publication Date: October 27, 2026
Pages: 112

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Available October 27, 2026

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“I spent the years you were absent discovering and cultivating the so-called truth of narrative, where whoever is writing dictates the rules.”

Across the thirteen experimental stories that constitute Marzia Grillo’s debut collection The Sun’s Point of View, real and imagined figures fight for secure understandings of a reality that is under a constant fog of instability. In the middle of a lake, a man proposes. The themes, protagonists, and events populating these enveloping works of creative autofiction play out in a nexus of overlapping scenes across the city and countryside of Grillo’s Rome. Through masterful, effervescent storytelling, moments like moving house, watching a sleeping child, and feeling the heat of the sun coalesce in The Sun’s Point of View to generate kaleidoscopic snapshots of intimate quotidian interactions.

Marzia Grillo

works in publishing in Italy and is the editor of a collection of Italian computer translations of Emily Dickinson's poetry, The Sun's Point of View is her first book. She lives in Rome.

Lourdes Contreras

is an Italian literature scholar and Andrew W. Mellon Mid-Doctoral Fellow in Digital Humanities at the University of Pennsylvania. She lives in Chicago.

Julia Pelosi-Thorpe

Julia Pelosi-Thorpe's translations from the Latin, Italian, and Emilian and Friulian dialects have appeared in Asymptote, Chicago Review, Modern Poetry in Translation, and elsewhere. A PhD candidate at the University of Pennsylvania, Julia lives in Philadelphia.

Praise

Marzia Grillo’s writing is striking, luminous, and richly imaginative. Her stories shift between intimacies and estrangements, toying with reality to enliven and unsettle it, to reveal it as deeply familiar and wondrously elusive.


Veronica Raimo, author of Lost on Me

Every time I read Marzia Grillo I know what to expect in terms of style and craft: she’s a wizard of the short story form, casting a spell on the cracks of ordinary life. And yet I’m always surprised at how her characters and stories hint at a secret multiverse where melancholia and irony can mingle together in a very unique blend of possibilities. They are changed, but also the reader is changed.


Claudia Durastanti, author of Strangers I Know