Dialogue • A. N. Devers • February 16, 2016
A. N. Devers talks with debut author Sara Majka about the Wu-Tang Clan, Alice Munro, and the intimacy of fiction. Cities I’ve Never Lived In: Stories by Sara Majka, is the newest A Public Space Book, with Graywolf Press.
News • February 9, 2016
We are thrilled to announce our 2016 Emerging Writer Fellows: Sasha Saben Callaghan, Kristen Gleason, and Gothataone Moeng. We would also like to thank all of the writers who submitted manuscripts, the readers who spent the past eight weeks evaluating, debating, and championing applications, and the National Endowment for the Arts for its generous support of the program.
Supporting new writers has been an essential part of A Public Space since our debut issue—Leslie Jamison, Nam Le, and...
Issues • Brigid Hughes • October 28, 2015
Introducing Issue 23
The idea for this issue started at the Housing Works Bookstore in New York City. At the one-dollar cart, where the undervalued and damaged books are put for sale, Bette Howland’s memoir, W-3, was discovered. A search for the author first led to numerous dead ends, then to her son, a cache of unpublished work, and a safe-deposit box in Tulsa, Oklahoma, with postcards and letters from a forty-year correspondence with Saul Bellow.
News • October 1, 2015
We are pleased to announce that applications are now open for our 2016 Emerging Writer Fellowships.
Diary • Jai Chakrabarti • July 7, 2015
Whenever I visit Kolkata, India, the city of my birth, nostalgia follows me through the streets. I notice which of the older buildings have become new malls, which of the sweet shops known for their condensed milk squares have now been replaced by modern confectionaries or worse, a Baskin-Robbins, which of the old cow-claimed roads have been cleared to make room for apartments. My travel journals are full of these observations and the memories that come with them.
News • June 15, 2015
Throughout the summer and into the fall, we will be distributing postcards at various bookstores, performance venues, and cultural institutions around Brooklyn asking people to document a public space in the borough on a 4" x 6" canvas. Here is what we've received so far.
Stet? • Olivia E. Sears • April 23, 2015
Translation may be the invisible art, but the translator's mission is precisely to bring visibility to a work of literature, and at times to rescue an author from obscurity. This is especially true when translating Italian women writers of the past who struggled for visibility even within their own culture.
APS Classic • Belinda McKeon • March 31, 2015
Let’s start the morning and kill the day, says one of the teenage characters in Colin Barrett’s “Stand Your Skin.” The drink doesn’t help, thinks his central character, an anxious, life-ravaged young man nicknamed Bat, but it does help.
I wish it were otherwise, but if there are two lines that get more precisely at the grim reality of what life is like for large swathes of young people in present-day, recession-pulverized small-town Ireland, I’ve yet to read them. Bat spends his...
News • February 10, 2015
We are thrilled to announce our 2015 Emerging Writer Fellows: Jai Chakrabarti, Cornelius FitzPatrick, and Arinze Ifeakandu. We would also like to thank all of the writers who submitted manuscripts, the readers who spent the past eight weeks evaluating, debating, and championing applications, and the National Endowment for the Arts for its generous support of the program.
Supporting new writers has been an essential part of A Public Space since our debut issue—Leslie Jamison, Nam Le, and Jesmyn Ward published their first stories in the magazine—and with the Emerging Writer Fellowships, which are now in their second year, we look to continue this tradition by seeking out writers who have not yet published a book-length work but whose writing shows exceptional talent.
APS Classic • Leslie Jamison • November 12, 2014
“The Dead Fish Museum” starts with a key that doesn’t work, presented to a motel clerk whose face is visible “through a circle in the slab of glass, cut like a hole in ice.” It’s a story full of people trapped—trapped by need or trauma or loneliness, trapped inside the stifling confines of a hastily erected porn set: “They’d boarded shut the windows and now, with fumes of fresh paint filling the warehouse, Ramage felt woozy.” Ramage is the guy who runs the carpentry crew. He...
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